Welcome to U-Tuesday.

U2's latest album comes out today. I'll probably go pick it up during my lunch break. I'm excited about it, but it's the same type of excitement I get looking forward to a new
Star Wars film. The old ones were better, but you're still curious to see what happens with the new one.
I'll buy
How to Dismantle an Atomic Bomb today, the first day it comes out, just like I'll see
Revenge of the Sith the day it comes out. I look forward to it, but it's a sad sort of anticipation. I've heard most of it on the radio already (WXRT played the album non-stop a week or so ago), and some of it sounds brilliant, but some of it sounds boring and forced, like left-over sessions from their last album.
It sounds like
Even More That You Can't Leave Behind.
"Vertigo" pretty much sucks ass. Typical U2 trying to sound over-the-top cool. It reminds me of "Elevation" which reminded me of "Discoteque" from
Pop, which wasn't very good.
"City of Blinding Lights" is excellent, as are a couple of others I've heard. But this is their "every other" album, so it'll be inconsistent at best.
"Every other?" As in, they have a great album, then a crappy album. Every Other album is good, the others kind of suck.
Boy? Classic.
October? Meh.
War? Say no more.
The Unforgettable Fire? Fairly forgettable. Even if it's produced by Brian Eno and Daniel Lanois, usually a fair barometer of how good the album is.
The Joshua Tree? Like the voice of God coming down from the mountain. First CD I ever bought. The album that got me to stop listening to 80s pop like Huey Lewis and taught me what real music was. (And ignited my still white-hot love of Ireland.)
This is the album that made all of us eat, sleep, and shit anything related to Bono, Edge, Adam, and Larry. Musicland posters of the boys hanging on our walls, deep discussions about who had the heroin habit in "Running to Stand Still." Bad fanboy pictures of myself and three friends posing like the album cover to your left. I even have video evidence of the most embarrassing kind from when we tried to make our own U2 videos, but you will never, ever see it.
Rattle and Hum? Loved it at the time, but I bet I haven't listened to that album in ten years. Only a few really standout tracks to remember.
Then they suddenly stopped being so serious and started dressing in leather and reinvented themselves and put out their best album ever:
Achtung Baby. This album still floors me, still sounds fresh and new and kick-ass. The Zoo TV tour was this mad-scientist brilliant thing about media and satellite TV and Bush and a transformed Europe. And Bono looking like some leather-clad alien version of Elvis from the '68 Comeback Special. Ever see the footage from that tour? Too fucking cool. Still one of the greatest shows I ever saw in my life.
Zooropa was a quickie follow-up to
Achtung, Baby, and while it isn't a masterpiece, it's still pretty good. This is the U2 I love the most, the crazy mid-90s experimental U2, where they let Edge sing lead on their first single, started the album with a gorgeous wash of static and sound and Bono speaking German:
"Vorsprung durch technik..."
Then they went underground and hung out in Sarajevo and created
Passengers with Brian Eno, an album of songs for movies that didn't exist. "Always Forever Now" is still one of the all-time great U2 songs that no one has ever heard of, and I listened to it over and over and over again for about two years straight.
Another disappearing act until '97, when they promised more experimentation with electronic sounds and ended up sounding like
Pop music. Biggest disappointment of their career. Too many costumes, not enough Eno and Lanois. Some of Bono's best songwriting got lost in mediocre production and a tacky Wal-Mart-inspired tour that seemed to be a desperate rehash of the Zoo TV tour.
They wisely decided to junk the theatrics after the millennium and delivered All
That You Can't Leave Behind, their celebrated "back-to-basics" album. With Eno and Lanois back in the driver's seat this was an older, wiser U2. This may have been a "safe" album to do, but it worked, and I believed in these guys again.

Example: I still get goosebumps listening to my Napster-found bootleg of their SNL performance of "Beautiful Day." Edge's guitar sounds like it's been born again, and Bono suddenly launches into a passionate snippet of "All You Need is Love" at the end, crying "All! All! All! All you need is love!" on the 40th anniversary of Lennon's death, and it's a beautiful thing.
So it's a shame that
Atomic Bomb seems like U2 playing it safe again, another
Pop album that winds up being a shadow of its predecessor.
***
I'm listening to it right now, and there's some good stuff. But there's some fair middle-of-the-road Today's Mix dreck in there as well. Why can't this whole album sound like "Love and Peace Or Else"? That song gives a small glimpse of what the album could be, instead of what it is:
Good, but not Great. But that's ok. They produced some amazing stuff in my formative years, and I'll always have that memory of watching the video for "I Still Haven't Found What I'm Looking For" over and over again on MTV during the summer of 1987, when I would stay up all night listening to their music on my brand-new CD player and I first learned what music really, really could be.