Showing posts with label Van Morrison. Show all posts
Showing posts with label Van Morrison. Show all posts

Saturday, October 10, 2009

Here Come the Man!


Last week I finally got to see Van Morrison perform Astral Weeks live, after almost a year of waiting.

Van played the Hollywood Bowl last year, performing his legendary album in its entirety, and I thought hard about heading out there to see it, but the high costs of traveling out to California deferred this dream.

He put out a live album from the performance, and eventually a DVD, which I figured would have to suffice. The concert was such a success that Morrison added more dates, in New York and London, and then he added more, but Chicago never showed up on any of the tour announcements.

The Chicago date was finally added while I was in Ireland, of all places, but fate conspired against me yet again and no tickets were gotten. Time to press play on the DVD player again.

Then they opened up a few final tickets and I headed to Ticketmaster. Pit seats, going for an insane amount of money. And I bought one. One, because that's all you could get. Duder tried getting one himself, but they were all snatched up.

And so I found myself about twenty feet from Van's gold microphone last Tuesday at the Chicago Theatre.

No opening act, no delayed start. Van comes out precisely on time, and plays a tight set of about 100 minutes, with no encore. He never interacts with the audience, letting the music speak for itself.

First half of the show is a warm-up, consisting of other songs from his career. It would be easy to make this the "hits" portion of his show, considering how unknown Astral Weeks really is to the average fan. He'll throw in the "Brown Eyed Girl" and "Gloria" to keep these people satisfied, but most of the songs in the first half were the deep cuts, semi-obscure numbers that didn't get (most) people singing along, but instead served as companion pieces to the Astral Weeks numbers.

"Fair Play", "Little Village", and "In the Garden" set the tone for what was to come, and despite a few annoying people who chose to talk half the time (except, of course, when he played a quick and perfunctory "Have I Told You Lately"), it was a remarkable first half.

Van could have chosen to use this tour as a "greatest hits" comeback, like many artists of a certain age do, throwing out "Moondance" and "Wild Night" night after night to the eager fans, but instead he's been performing one of his most obscure albums to sold-out crowds for the better part of a year.

He has the reputation as a sour grump who's always complaining about the public's perception of him, and the record companies' inability to "get" him. So he's doing everything the way he wants to do it, releasing the live Astral Weeks on his own label, allowing no production sheen added to the mix, refusing to load his sets with the easy hits. This is one reason why I love him.

Astral Weeks live was fantastic, although a lot of the surprise has been lost after a year of listening to the live album over and over again, but no matter. "Slim Slow Slider" is still the highlight, as he threw in new lyrics about "going to see the German doctor" and riding that passenger train. It was a phenomenal show, and it was worth every penny I paid. This was one of those rare chances to see something legendary, performed as the artist wanted it performed.

As we filed out after the show I started talking to a middle-aged guy who was sitting next to me, both of us marveling at what we had just seen. "Pretty great, huh?" I asked.

"Yeah, it was. Now, what was 'Astral Weeks'?" the man said. "Was that his band?"

Monday, September 29, 2008

If I ventured in the slipstream...


Holyshitholyshitholyshitholyshit!

Van Morrison To Deliver a Complete 'Astral Weeks' Concert

If you know me, if you've known me at least for the past ten years, then you know that this is my favorite album of all time. I've fallen in love over this album, bonded in friendship over this album, and written a play partly inspired by this album.

When I'm happiest, I listen to this album, and when I'm at my lowest, I listen to this album.

I pine for the long-rumored remastered edition more often than I do for the long-delayed remastered Beatles albums.

When the Duders and I went north this summer, all we did is listen to Van on the long drive to Door County.

Lester Bangs wrote a brilliant essay on this album, which I read to my Heroes and Villains cast in order to get them in the proper mind-set of the story I was trying to tell.

Just today I was listening to the last three tracks on Into the Music over and over and over again, because I was in a mood, and it helped.

I could tell other stories about this album, but they're personal.

Goddamn. I think I would rather see this concert than watch the Cubs win the World Series.

I have to figure out how to go to this show. In California. At the Hollywood Bowl.

Tickets go on sale this weekend. Wish me luck.

Saturday, April 12, 2008

Writing H&V

There was a section of the play I'm working on that was giving me trouble. Middle of the second act--wasn't sure how much story there was left to tell at that point, and what the characters should be doing by then. I knew how it ended, but I didn't know how they were all going to get there.

Had one of those "ahhhhhhh, yes, that's how it should g0" moments earlier today and now it all seems to be coming together. I was in my car, going to pick up a few things, when an image jumped into my head. Scribbled down a few notes and wound up turning around and spent an hour or so writing new dialogue for Scenes 4 through 6.

I get into a weird mode when I'm writing. I tend to forget about everything else around me and I find myself in a weird, absent-minded professor state. The story just acts itself out over and over in my head and I follow one storyline for a while and then I back up and try it a different way and then if I like something it goes down on paper, either a battered notebook with a red cover or a small Moleskine notebook that I carry with me everywhere.

And when I type it up, it's on the laptop, because that feels more like a typewriter, and typing on a typewriter still feels more like writing to me.

Listened to a lot of Paul McCartney at first, while I wrote, then Townes Van Zant. Spent the other night listening to Astral Weeks and drinking a bit of whiskey, just sitting in my chair well past midnight, lost in thought and letting any old idea take root.

It's interesting to see what a story starts out as, and what it winds up. This one's a play about college, or at least part of it is. But more and more it seems to be about family. And something about whether or not you can grow out of your family, like you grow out of clothes as you grow up. But I haven't got all that figured out yet.

Wednesday, January 24, 2007

Reminder

Just in case anyone needed reminding...

Astral Weeks is the best album ever.





This post brought to you by The Committee to Remind People that Van Morrison is The God Who Walks Among Us.