Saturday, April 28, 2007

A Mug and a Smile

The playwright Anton Chekhov once wrote that if you introduce a gun in the first act of a play, someone will surely be shot by the end.

This story involves a large glass mug and heavy drinking. I'll let you figure out what happens next.

Roommate was heading across the street (more or less) to this huge-ass bar that occupies an abandoned movie theatre. Everything about the place is oversized, from the long, mead hall-like tables to the big-screen TVs along the wall, and of course, there's the mugs. If you buy one of their Big-Ass Mugs (what is it--30 oz. or so?) you can bring it back and get nightly drink specials for a reduced rate.

I more or less hate the place, partly due to its hugeness, and mostly because it's loud and obnoxious and antithetical to everything a decent bar or pub or tavern should be. But people from work like going there and it's across the street, so there it is. One of those places you grudgingly accept.



Anyway, back to roommate. Or Cori, I should say. Cori headed out the door to meet some friends and have a few, and I told her to take my mug with, so she also could take advantage of the wonderful Mug Club opportunities The Foundry offers to its most exclusive patrons.

While she did that I stayed in and added a bunch of stuff to the LTC website, eventually crashing on the couch watching one of the greatest movies ever made. About midway through the film (around the time Tim Matheson gets the supremely-hot Nancy Allen in the Zero*) I hear someone fumbling with the door and in walks Cori with her two pals.

She has her hand over her mouth, and is spouting something about "You'll never guess...you'll never guess what I did." I imagine some sort of strange newly-acquired lip tattoo has become the highlight of her night, but sadly it's not that. She moves her hand away, and I have to squint to see what the hell she's talking about. She's also shaking her fist at me by this point, and I slowly realize what has happened.

She has chipped her front tooth on the Big-Ass Mug.

It's a decent-sized chip, and it'll require some sort of repair work. A little corner of her top front tooth gone forever.

Somehow I am to blame for all of this, simply because I was kind enough to lend her the Big-Ass Mug. But maybe she wasn't ready for it. The Big-Ass Mug does not suffer fools gladly. Not that Cori's a fool, but she was definitely out of her league tonight.

The Big-Ass Mug takes no prisoners.

*Wait--it wasn't a Zero. That doesn't make sense. What the hell was he flying?

Monday, April 23, 2007

Summer Prep

The updates will most likely be few and far-between for the next few weeks, as I have a lot of plates spinning in the air right now. Summer prep for Limelight and especially Julius Caesar is taking up most of my free time, and the last six weeks or so of teaching should be pretty hectic as well.

Plus, I just signed up for three graduate classes. Online, though, so I can get 'em done during my free time.

In the meantime you will find me over at Limelight's new website every now and then, as I get it and the new summer season up and running. Site has a long ways to go, but I've got a basic version ready for public viewing.

Regular writing on here should resume in a few weeks. For now, though, I need to direct my attention elsewhere. I'll update when I can, though, so check back when you get the chance.

Thursday, April 19, 2007

The Simpsons

Twenty years ago a cartoonist named Matt Groening created a series of shorts for one of the very first shows presented on the FOX network. He called them The Simpsons and they ran in-between skits on The Tracey Ullman Show.

Here is the first one, originally aired on April 19th, 1987:



After they got their own show it got a lot better. Like "Mr. Sparkle", for example:



There is really no need to go into a long, detailed analysis of why The Simpsons is The Greatest Show Ever. Those that know this fact don't need any more convincing. It is what it is.

Some people like the Homer-falls-down gags, some people like the Halloween episodes, some people like the colorful supporting characters. (My favorite: it's still Troy McClure.) For those that really get it, though, it's the writing, the little obscure lines that stick in the head. The glories of the Conan O'Brien episodes, and the last hurrah of Season Eight. (It never has been quite as good since that year.)

I don't watch the new episodes religiously, partly because they haven't been as good, partly because I think I judge them too harshly. Best to catch them on a syndicated rerun, where they stand a better chance, mixed in with all the others. There was one involving a cardboard box fort that was pretty good.

I think the best way to sum it up is this: for most of the 1990s, my friends and I could have entire conversations where we would do nothing but do lines from the show. And not just quote the show, but use the line as a replacement for something else. Instead of saying, "Oh, now I know who you're talking about," you simply say, "Oooohhhh, Sideshooow Bob!"

When I'm in the middle of talking with someone, and someone else walks in to ask me a question, most of the time I will end the conversation with, "So I says to Mabel, I says...Hold on-I'll finish this later."

Don't understand a word of anything: "Bees are on the what now?"

And such and such. It's obnoxious, and very Gen-X-We-Quote-Everything-From-Pop-Culture, but it's a compulsion that can't be helped.

"Ever see a guy say good-bye to a shoe?!"

Saturday, April 14, 2007

What Kind of Day Has it Been

I wonder if you realize something. I wonder if you understand that all of us - me, the children who survived, the children who didn't - that we're all citizens of a different town now. A place with its own special rules and its own special laws. A town of people living in the sweet hereafter.

- Sarah Polley as Nicole in The Sweet Hereafter.

A couple of months ago five teenagers from my school district died in a drunk driving accident. I didn't know them. Their names were vaguely familiar, but I didn't know them.

Last Tuesday a 16-year old boy stayed home from school and killed himself with a shotgun. I didn't know him either, but I think I had met him once or twice. His mother teaches in my building, and his older sister had the lead in one of our productions last summer.

Needless to say, our community has had a rough year.

At first it was a distant feeling, the abstract sense of the tragic, the typical wondering of the why and how could it have been avoided. The puzzlement and the mourning once-removed. Death watched from the outside, looking in.

The days passed and the reality, the realness of it starts to become more apparent. What-ifs and the but-for-the-grace-of-God bittersweet understanding that you're still alive and this kid isn't.

Saturday the staff of my building gathered together and drove to the memorial service, to pay our respects. Drove with the principal, a good friend of mine, but still the removed feeling, the weight of the event strangely absent.

Walking a ways to the church, because of all the cars, because of all the people there, all the students and teachers and family and friends. There's the football coach. There's Curt, probably friends with the family. Ginny from the park district. Then some former students of mine. Some I hadn't seen in years. A hug for tearful Katie.

Walk into the church, a church I've been in a lot, actually. Used to watch some of the girls sing and play piano when I was invited to their recitals. Because I was their teacher, or their director, or their friend.

More people I know. My co-workers, from now, and from then. Some more students, some friends of my roommate (who is friends with the boy's oldest sister.) I make a small note in my head about how strange it is that I know so many people here, and yet I barely knew this boy whom they were remembering.

The service starts. Songs, readings, eulogy. I listen to it all from the hallway, listening to the pastor trying to make some sort of sense out it. At one point he says, "You are always something to someone." On your worst day, you're still someone's son, someone's best friend.

You are always something to someone.

There was a moment, before the service started, that I need to describe. The church was very crowded, and so many of us stood in the halls or watched from the basement. My friend Jeff had been standing next to me, but had wandered away, and I found myself standing there alone. It was a strange, selfish thought, but at that point I was a little bothered by the fact that I was standing by myself. I'm alone too much of the time, and I started getting self-conscious of this fact. The outside-looking-in feeling again.

Then another former student of mine walked up to me. Someone I know very well, since he's been in Limelight since he left that fifth grade room six years ago. We said hello, chatted a bit, and then the service started.

And he never left my side. As the service progressed chairs were brought out and most everyone sat down, but he and I stood there, sentinel-like, never moving, never speaking. We stood there, next to each other, and listened to the service.

When it ended everyone filed out, behind the casket, tears streaming, arms and hands together, holding on to each other for comfort. More and more students and actors and tech kids of mine started walking past me. My roommate, and the girl I had just interviewed a few hours ago for a directing position.

And there it was, more or less, the last ten years of my life, a world that the boy and I seemed to share in more ways than one.

You are always something to someone.

I didn't know him, and there's no way to tell him anything, change anything, and it's a goddamn shame. He lived in this wonderful world, full of bright, loving people, all in it together.

Maybe he saw it, maybe he didn't. I wish I could show him, let him know that it gets better, that even though the nights are horrible at times, it gets better. It gets better because of all those people in that church, all those people that he knew and I know, all interconnected.

I know a few guys his age, and I know they struggle at times, and that's been the hardest part about this whole thing, from my point of view. Thinking about those boys that have been lost in their own lives, wondering what's the point, wondering if getting through it all is worth it.

While I stood there next to this former student and friend that is so dear to me, I wanted to grab him and let him know how much he means to me, how much he means to everyone. I wanted to let all those lost boys out there know it: you are something to someone. You are something to me. You are something to all of us.

We are all in this together.

Thursday, April 12, 2007

Two Things

There are two things that I would dearly love to do right now:

1. Grab a stack of books, several yellow legal pads, my laptop, and head off to a quiet place in the woods for a few days.

2. Enjoy the long, soft embrace of a beautiful woman.

I think I would be very happy if I were able to enjoy either of those things on a more consistent basis.

I have to go to a very sad funeral on Saturday. I might write more about this later, I might not.

Don't worry, I'm not depressed or despondent. Well, I'm sad, but not that kind of sad.

Monday, April 09, 2007

Loop and Lil Agree



Flipping around the stations, trying to find something to keep me awake, came across Be Here to Love Me, a film about Townes Van Zandt. He was a Texas songwriter, one of the good ones. (Although, I'll never get why Texas can simultaneously produce some of the biggest bastards and some of the greatest artists of our time. )

Townes was kind of both. Amazing lyricist and big-time drunk and manic-depressive. First heard one of his songs on a Cowboy Junkies album: "To Live is to Fly", song about wandering and love and the inability to stay by the ones you love. Summed up a lot about my college years, and probably says more about my life in general.

Somewhere along the way I picked up a live album he did in a small club, and got to hear all the good ones: "Tecumseh Valley", "Pancho and Lefty", and one of the most beautiful love songs every written, "If I Needed You." Lots of famous people like Willie Nelson and Emmylou Harris covered Townes' songs, but the songs usually overshadowed the man himself.

First time I traveled overseas on my own I was sitting in a pub in London near Victoria Station and I got talking to an Irish guy and told him I was headed to Galway. Made sure to tell me to head to the Roisin Dubh, west-end pub, good for trad music on Sundays.

I was sitting in that pub about a week later, having a drink, and I noticed Townes' picture on the wall, a light illuminating his troubled face.

"Is that Townes Van Zandt?" I asked the barman.

Guy next to me says yeah, he played his last gig here.

That's one of many reasons why I loved that pub. But this story ain't about the pub, it's about Townes.

I was watching that documentary and it just sucked me in. Townes' last years were a bit of a mess, and the film ends describing his last night alive, sitting in his armchair on New Years Day, dead from heart failure at 52.

Closing credits start and a song I had never heard before plays over home-movie footage of Townes trying on all these hats. "High, Low, and In-Between." Cowboy hats and seed caps and big grins from this guy that gets to me more than I understand. Thanks to the miracle of DVR technology I watch those credits over and over again until I run upstairs to find the song online and now I'm listening to that damn song for at least the tenth time tonight, eviscerating me, like it's going to somehow give me all the goddamn answers to all the problems I've ever known.

Scotland's For Me!

Scotland's music is taking on the world

EDINBURGH (Billboard) - Since Franz Ferdinand burst onto the international scene three years ago, Scotland has become the United Kingdom's leading hotbed of new talent.

In the past 12 months alone, Paolo Nutini, the Fratellis and the View have all stormed the U.K. charts, while Snow Patrol -- which relocated to Glasgow from its native Northern Ireland -- scored 2006's best-selling U.K. album with "Eyes Open," racking up more than 1.5 million sales, according to the BPI, a U.K. music label trade group.

"More Scottish artists are achieving success than have done in the past 20 years," says Geoff Ellis, CEO of Scotland's largest live promoter, Glasgow-based DF Concerts.
"Franz Ferdinand started it all," says Jon Lawlor, singer with the Fratellis. "It was great to have a band from Glasgow that wasn't Simple Minds or Texas -- one that you could listen to and enjoy."
(Article continues here.)

Franz Ferdinand, Paolo Nutini, Snow Patrol, etc. etc. No mention of Belle and Sebastian? Seriously? What the hell does that band need to do to get some respect and recognition?

(And don't say make a decent record.)

Wednesday, April 04, 2007

Cripes Kid, Get Work-Wise!

Lots of good changes coming my way as far as work goes. I've been spending the past few years trying my best to make a diamond out of a jagged piece of dull glass, and it's high time I move on. Good thing about recording your thoughts on one of these things: you can look back and see how your life is simply starting to repeat itself. So it's time to get back to where I once belonged.

There's a story that's often told about gifted kids and how the educational system tends to waste their potential. Think of the fastest animal in the world: the cheetah, right? Ever see a cheetah?

Sure.

Where did you see that cheetah?

In a zoo.

What was it doing?

Sitting there.

It wasn't running?

No.

Isn't it the fastest animal in the world?

Yeah...

And it wasn't running.

Nope.

Could it run?

No.

Why not?

It was locked in a cage, forced to pace around the same fake rocks over and over again, never really getting the chance to open up and let loose.

You know that scene in The Incredibles? The one where Dash is running on the water? I fucking love that scene. I wrote about it back in November of '04. Here's what I said:

Poor Dash. His whole life he's been denied the chance to be himself, and when his mother finally tells him that, if the men come who are trying to kill him, he needs to run as fast as he can.

"As fast as I can?" Dash replies. The terror he should feel (those men will kill him) is replaced by this exultant joy that he finally gets to be himself, and let it all loose. And when he speeds through that forest as fast as he can I leaned forward in my seat and my smile almost reached to the back rows of the theater.

I had hoped that this new job, as a Gifted Resource/Academically Talented (whatever you want to call it) Teacher , would allow me the opportunity to let some of the brightest kids in our district really let loose, let 'em see if they can run on water.

Instead I quickly realized that I was a Band-Aid, there to pull the kids for an hour a week, barely enough to keep the parents happy and the kids from going crazy from the boredom. I spent my years bouncing from room to room, building to building, teaching a hand-made curriculum that wound up having more restrictions and barriers than the classroom I had left.

Now, if you read this thing regularly, you know that I can get down on myself, and doubt my mad skillz as a man, but lemme tell you this: I am a fucking great teacher. I don't really give a shit about curriculums and state standards and making goals and mission statements, although I have done all of that and I know that I have to do all of that, and so of course I do all of that. It's part of the game.

But it's what you do with the in-between time that counts. And sometimes I did some amazing shit during that time. But more and more, as the days in the new job turned to months, and now years, I saw myself getting more and more dissatisfied, depressed, and distended. When you only get the kids for an hour a week, there isn't much of the in-between time.

Looked into teaching in Europe, and while that isn't the happy ending to this tale, believe me, I would still love for that to happen. But as of now, it isn't going to happen. Instead I take my trips there and soak it up in a different way. (This will eventually become a piece I've entitled "Fecking Oirland", but you'll have to wait a bit for it. Not too much longer, since I suddenly seem to have my writing skills back. Word.)

Started missing have one group of students, one school, one room. Started driving past convenience stores, that weren't on the way home. (Look it up.) The head of our program is retiring this year, and part of me looked to take a leadership position, to take the program in a new direction. Been waiting for that to happen, and now it's definitely not going to happen.

Not because they denied me the position, or anything like that. Because remember the Mad Skillz. Remember the love, the years of service, the good relationship with upper administration.

No, they just decided to eliminate the position. Like they've eliminated all of the positions which are, what I would call, "lower management." Teacher positions, still part of the union, but a leadership position. It's all gone, though, replaced with top-tier bosses. The nuggets became the suits.

And so, in the end, I'm walking away. Made the best of it while I could. It's a sinking ship, and I don't want any part of it. Part of me would love to grab a can of gasoline and light the damn place on fire and claim that the butterfly did it (because no one suspects the butterfly...), but I'm more professional than that, and so it's time to get back to what I was good at.

We're building a new school south of town. New principal, new room, new team. She's thrilled to have me on board, and I'm giving up a day off this Friday to be on the interviewing team for new candidates. Gonna build something from the ground up, gonna spend some time relearning everything, and I'm gonna look for those in-between times, where it really counts.

Tuesday, April 03, 2007

Prologue

Tried once again to come up with something interesting to post, but I just stared at the blank field of the Create Post page and nothing came to me. All my creativity went into about ten pages of conceptual ideas for Caesar, so it's not like I didn't do shit tonight.

Came across this, though: something I scribbled down not too long ago, in an attempt to tell the story of my three-year battle with This Fucking Job. More to come on that tale later, but consider this the Prologue:

August, 2004.

The walls of my office are made of concrete blocks. A thin layer of primer coats them, laid carelessly, unconcerned about who would one day be staring at these walls in numbed disbelief.

This is supposed to be a storage room, or maybe a workroom for the lunch ladies. There’s a bathroom in here and some of the teachers like to come in and use it while I sit at my desk. I like to turn up the sound on my stereo during these moments. The room echoes a bit.

There are two tables, a desk, a filing cabinet, and a chair with a broken back and stains on the fabric. New blue carpet has been laid on the floor. When you close the door, you are completely cut off from the noise and the flow of the building.

This is now my home, at my new school, in my new job.

I think I’ve made a terrible mistake.

Sunday, April 01, 2007

Writer's Block

Reasons I haven't blogged much lately:

1. I have been Deep in Thought. Sometimes, when I have big decisions to make, I tend to get so focused all up in my head that everything else tends to get tuned out. This has happened before.

2. It's Spring Break. Since I didn't go anywhere, that means sleeping late, reading books, going for hikes, and staying up late.

3. Writer's block. (See #1, above.)

4. I've been busy with other projects. Met with some of the Limelight players to work on some ideas I have for Julius Caesar on Wednesday, and for the past couple of days I've been putting together a revamped website for our theatre company. Debut to follow soon.

5. Report cards. Which I'm working on right now. Here endeth the post.